Her love of the cello began at age five
By Elisabeth Kamaka
There it was, one of the largest and most intimidating stringed instruments in the music classroom, nearly as big as she was. And she would be playing it.
Others tried to discourage her from playing such a large instrument, but she would not listen.
Five-year old Sarah Lew’s small hands could barely reach the strings as she struggled to play her first note. As she brought down her bow to touch the strings of the cello, its distinct calm and solemn tone suddenly filled the entire classroom. And it was from that moment, little Sarah Lew made up her mind: she was going to be a cellist.
Lew, 19, is now a sophomore at Bryn Mawr College. She is majoring in chemistry and interested in pursuing forensic chemistry or neurological research. Life is different for the Houston, Texas native trying to adjust to the fast-paced East Coast academic life. But rather than leave her cello to collect dust at home, Lew brought her cello to Bryn Mawr, where she performs with the Bi-Co Haverford-Bryn Mawr College Orchestra.
Although she has studied general music and choir, and plays the piano and flute, Lew considers herself a cellist. “I’ve dabbled in pretty much every string instrument but the only one I can consistently say I do well playing is the cello,” she explains. Lew usually practices in blocks of 30 minutes to an hour but doesn’t like to put pressure on herself about practicing. She says during school “when things get really bad” she has a hard time keeping up with her cello practice. “If I’m going to practice, I’m going to put everything into it and if I’m stressed out already, then I don’t want to stress myself out more.”
Lew is currently one of the personnel managers for the Bi-Co Haverford-Bryn Mawr College orchestra. Her responsibilities include managing the orchestra’s attendance book, and communicating with members who are absent. Lew says that one of the challenges of being a personnel manager is remembering everyone in an orchestra with 75 members. Although she says that she now knows most of the members in the strings section, “I made a super big mistake…and asked a random oboist about a clarinet player.” This valuable work experience allows Lew to learn the everyday workings of running an orchestra, and provides much-needed support to Heidi Jacob, the orchestra conductor. Lew plans to continue playing her cello in the future but she does not know if she will “join a professional group.” However, Lew said that she may be interested in teaching music in the future, even as a part-time job. Continue reading